CHAPTER THIRTY-NINE : THE UMUOKPU SONGS: A CASE STUDY OF UMUZOCHA WOMEN'S PERFORMANCE GROUP IN AWKA SOUTH

Adaobi B. Okoye

Abstract


In Awka society of Igbo region of Nigeria, Umu-Okpu musical art is established and performed to stabilize and manage families, and the society employed its traditional method to achieve this purpose. This paper explores the polity of Umu-Okpu in Awka community, the performance practise of Umu-Okpu music, the analysis of the textual and musical structures in order suggest the possible adoption of the functions in correcting and building women of other culture. The research methods adopted for this study includes : observation, oral interview and literature review. In the end, it was discovered that over 90% of the women in the study area were knowledgeable in the umuokpu music and the lessons hidden in the musical lines. The majority of those not conversant with the music are in the range of 30's and those living outside the culture. Further studies can be done on the implications of these findings.

 

Keywords : Umuokpu musical arts, Umuzocha women's performance, Stability, Management of families, society


Full Text:

PDF

References


Agu, D.C.C (1990). The primary of music in Igbo traditional religion. In E. Ekpunobi, & I. Ezeaku (Eds.), Social Philosophical Perspective of African Traditional Religion (pp.49-55). Enugu: New Age.

Agbasiere, J.T. (2000). Women in Igbo life and thought. London: Routledge.

Ajewole, J.O. (2013). Women and music in Nigeria; Awka Journal of Research in Music and Arts. (AJRMA), 9, 61-68.

Aniagbaoso N.J. (2007). “Musical activities of maiden: A case study of Egedege dance in Agulu, Anaocha local government area, Anambra State”. B.A Thesis, Music Department, Nnamdi Azikiwe University, Awka.

Nmah, P.E. (2003). Women's rights in Igboland: A Christian reappraisal. Aba: Soul Winner Publication.

Nwaodu, C.S. (2014). Curbing moral decadence in adolescents through Igbo folk Songs; B.A.

Thesis, Music Department, Nnamdi Azikiwe University, Awka.

Nwamara, A.O. & Okpala, H.N. (2016).The socio-cultural implications of Odezuruigbo cultural dance music in Awka, Awka South Local Government Area of Anambra State.International Journal of Arts and Humanities (IJAH, 9 (1), 44-57.

Obasi, C.O. &Nnamani, R.G. (2015). The role Of Umuada Igbo in conflict managementand development in Nigeria; Open Journal of Political Science,5,256-265 http://dx.doi.org/10.4236/ojps.2015.54027.

Okafor, R.C. (1989). Music, woman and social mobility; Nigeria Magazine, 57 (1),18-26).

Okafor, R.C. (2005). Music in Nigeria Society. Enugu: New Generation Books.

Okpala, H. N. (2016). Traditional music in Igbo culture: A case study of idu cultural dance of Akpo in Aguata Local Government Area of Anambra State.African Research Review anInternational Multi-disciplinary Journal, Bahirdar, Ethiopia 10 (1), 87-103.

Onwuka, A. U. (2012). A basic text for dance education.Onitsha: Jenison Publishing Company

Onyiuke.Y.S. (2005). Music education in Nigeria primary schools: Strategies for improvement.

Unizik Journal of Art and Humanities, 7.122-123.

Okafor, S.C. (2013). Discourse on Nigerian history, culture & socio-political Development; John Jacob's Classic Publishers Ltd.

Oreh, C. I. (1992).firstTraditional women groups and community development in Igboland. Proceedings international conference on Women in Africa and the African Diaspora of the Bridges across Activism and the Academy, Nsukka, Nigeria.

Ubani, A.U. (2017). Music associated with childbirth; A case study of women's participation in traditional songs in Igboland: Awka Journal of Research in Music and the Arts,7, 70-71.


Refbacks

  • There are currently no refbacks.