2022

Festschrift in Honour of The Music Maestra Professor Young-Sook Onyiuke

This is an online version of the Feschrift in honour of the Music Maestra Professor Young-Sook Onyiuke.

It was published in 2022.

Table of Contents

Articles

BIOGRAPHY OF PROFESSOR YOUNG-SOOK ONYIUKE (THE MUSIC MAESTRA)
Ebele V. Ojukwu
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1-17
CHAPTER TWO: TEACHING MUSIC WITH ALL HER HUMANITY
Emmanuel Chukwuemenam Umezinwa
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18-24
CHAPTER THREE: YOUNG-SOOK ONYIUKE: THE INESTIMABLE QUALITY OF A NIGERIAN MUSIC EDUCATOR
Atinuke Adenike Layade (PhD)
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25-30
CHAPTER FOUR MUSIC PEDAGOGY AND THEORIES OF LEARNING: IMPLICATIONS FOR CLASSROOM TEACHING AND LEARNING
Prof. Agatha I. Onwuekwe
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31-44
CHAPTER FIVE: ART ORIGINATION WITH HUMAN EXISTENCE & DEVELOPMENT
Bernadette C. Ugochukwu (PhD)
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45-49
CHAPTER SIX: THE PLACE OF FOLK MUSIC IN SOME DEVELOPMENTAL AREAS OF CHILDREN IN EARLY CHILDHOOD EDUCATION
Chinyere Celestina Esimone (PhD), Ebele Veronica Ojukwu (PhD), Iruoma Amaka Ugoo-Okonkwo (PhD)
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50-58
CHAPTER SEVEN: STUDENTS' DISPOSITION TOWARDS LEARNING AND PERFORMING VOICE PIECES AS A COMPULSORY COMPONENT OF INDIVIDUAL PERFORMANCE STUDIES (IPS)
Iruoma A. Ugoo-Okonkwo, Chinyere C. Esimone, Alexander W. Erhiegueke
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59-66
CHAPTER EIGHT: THE TEACHING AND LEARNING OF TROMBONE IN SECONDARY SCHOOLS: A CASE STUDY OF MOUNT OLIVE COLLEGE UMUNYA, ANAMBRA STATE
Chisom Odinaka Ezeobiora, C.C. Esimone (PhD)
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67-75
CHAPTER NINE: SIMPLIFIED APPROACH IN TEACHING AND LEARNING OF FLUTE IN CHARLES DALE MEMORIAL INTERNATIONAL SCHOOL, PORT-HARCOURT
Chinyere Amoyedo Peter, Ebele Veronica Ojukwu
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76-82
CHAPTER TEN: THE IMPORTANCE OF MUSIC TRAINING ON THE CHILD'S BRAIN AND COGNITIVE DEVELOPMENT
Ejiofor Onyiuke, Chioma Onyiuke
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83-96
CHAPTER ELEVEN: PARENTAL ISSUES AND PROSPECTS IN THE STUDY OF MUSIC EDUCATION AT THE UNIVERSITY OF PORT HARCOURT
James Amaegbe Esinkuma (PhD)
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97-105
CHAPTER TWELVE : STUDENTS' USE OF SCHOOL LIBRARY FOR DEVELOPING READING CULTURE IN SENIOR SECONDARY SCHOOLS IN NIGERIA
Ngozi E. Ezenwosu (PhD, Blessing Chinwendu Ogbodo
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106-115
CHAPTER THIRTEEN: ADOPTING SELECTED DANCE STEPS IN OWIPHA TRADITIONAL DANCE GROUP FOR FIELD TRIP TEACHING/LEARNING OF DANCE
Masaikek Harold Nturem
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116-124
CHAPTER FOURTEEN: PART-TIME MUSIC TEACHER: IT'S EFFECT ON MUSIC EDUCATION
Ogechukwu Jacinta Onyedum, Young-Sook Onyiuke (PhD)
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125-134
CHAPTER FIFTEEN: APPLYING BANDURA'S SOCIAL LEARNING THEORY IN TEACHING PIANO: A CASE STUDY OF DEPARTMENT OF MUSIC, FEDERAL COLLEGE OF EDUCATION, EHA-AMUFU, ENUGU STATE
Paschal Chibuike Ozoaghuta, Ebele Veronica Ojukwu (PhD)
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135-141
CHAPTER SIXTEEN THE ROLES OF THE CHORAL MUSIC DIRECTORS IN THE TEACHING AND LEARNING OF CHORAL MUSIC IN THE THREE SELECTED CHOIRS IN PORT HARCOURT
Precious Adokiye Omuku (PhD)
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142-149
CHAPTER SEVENTEEN: ENHANCING THE LEARNING AND TEACHING OF TRUMPET THROUGH SIMPLIFIED APPROACH: A CASE STUDY OF AUSTICA MEMORIAL COLLAGE, NANKA
Samuel Oluchi Nwobi, Ebele V. Ojukwu (PhD)
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150-159
CHAPTER EIGHTEEN: THE ROLE OF MUSIC IN NATIONAL DEVELOPMENT
Rowland A. Okoye
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160-168
CHAPTER NINETEEN: MALAPROPISM/THE INTERFERENCE OF MOTHER-TONGUE AMONG THE IGBO SPEAKERS OF ENGLISH LANGUAGE: MUSIC AS A MEDIUM IN ENHANCING POSITIVE TRANSFER OF LEARNING
Mabel Ugochi Okpara (PhD), Olusola Samuel Akintunde, Ikechi Nwagu
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169-175
CHAPTER TWENTY: THE ORIGIN AND DEVELOPMENTAL STRATEGIES OF ICT IN THE NIGERIAN EDUCATION SECTOR: THE MUSICOLOGISTS' CUM OTHER SCHOLAR'S VIEWPOINTS
David Sopuluchukwu Umeojiaka (PhD)
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176-185
CHAPTER TWENTY-ONE MUSIC LAW AND THE IMPACT OF INTELLECTUAL PROPERTY RIGHTS ON THE MUSIC INDUSTRY
Tochukwu Onyiuke
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186-198
CHAPTER TWENTY-TWO: HIP-HOP MUSIC AS A TOOL FOR SOCIAL AND POLITICAL CRITICISM IN NIGERIA: A STUDY OF MR FOLARIN FALANA'S SONG "THIS IS NIGERIA"
Chinazor Roseline Okpokwasili
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199-209
CHAPTER TWENTY-THREE: MUSIC AND POLITICS, UNDERSTANDING MUSIC AS AN INSTRUMENT OF SOCIO-POLITICAL TRANSFORMATION AND CHANGE
Fredrick Ezeani
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210-213
CHAPTER TWENTY-FOUR: THE PLACE OF MUSIC IN THE QUEST FOR SELF ACTUALIZATION: INTERROGATING THE ACTIVITIES OF THE INDIGENOUS PEOPLE OF BIAFRA (IPOB)
Fr. Godwin Aniakor
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214-219
CHAPTER TWENTY-FIVE CONTRASTIVE STUDY OF DIVINATION IN IGBO TRADITIONAL BELIEF AND PROPHECY AMONG PENTECOSTALS IN IGBO LAND
Ann C. Onyekelu
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220-234
CHAPTER TWENTY-SIX: MUSIC: A DIALOGICAL TOOL FOR ECUMENISM IN NIGERIA
Rev. Fr. Prof. B.A.C. Obiefuna, Chidimma Jessica Allison (PhD)
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235-242
CHAPTER TWENTY-SEVEN POSITIVE IMPACTS OF MUSIC ON RELIGION: CHRISTIANITY AS CASE STUDY
Arinzechukwu Ikenna Ezike
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243-247
CHAPTER TWENTY-EIGHT : A CRITICAL EVALUATION OF ANGLICAN CHURCH MUSIC IN ANCIENT AND MODERN PERSPECTIVES
Christian C. Mozie
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248-251
CHAPTER TWENTY-NINE: MUSIC IN THE CATHOLIC LITURGICAL WORSHIP, AN AID TO ACTIVE PARTICIPATION
Daniel E. Eduzor
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252-259
CHAPTER THIRTY: SACRED MUSIC IN THE CATHOLIC CHURCH: A MEANS OF UPLIFTING THE SPIRIT OF THE FAITHFUL
Rev. Sr. Prof. Cordis-Mariae Achikeh, Rev Sr. Mary Beth Anumba
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260-268
CHAPTER THIRTY-ONE: THE IMPACT OF IGBO CHORAL ART MUSIC ON THE ANGLICAN COMMUNION, PROVINCE OF THE NIGER, NIGERIA
Ifeanyi Onyedika Okafor, Emmanuel Chukwuemenam Umezinwa (PhD)
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269-275
CHAPTER THIRTY-TWO: MUSIC AS A MEANS OF EVANGELIZING THE YOUTHS IN THE CATHOLIC ARCHDIOCESE OF OWERRI
Jacinta Chinemerem Nwadinobi
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276-282
CHAPTER THIRTY-THREE: IMPERATIVENESS OF MUSIC FOR CHILD'S UPBRINGING IN SUNDAY SCHOOLS AMONG THE NIGERIAN ANGLICAN CHURCHES
Kayode Olusola (PhD)
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283-292
CHAPTER THIRTY-FOUR: MUSIC AND ITS WHOLISTIC EXISTENTIAL RELEVANCE TO HUMANITY
Rev. Fr. Nich Chukwuemeka Anudu (PhD)
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293-296
CHAPTER THIRTY-FIVE: INTEGRITY OF INDIGENOUS MUSIC TO HUMAN LIFE AND NATIONAL DEVELOPMENT
Ifeoma P. Okechukwu
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297-305
CHAPTER THIRTY SIX: DIVERSITY IN NIGERIA AND THE ROLE OF MUSIC IN PEACE BUILDING
Rev. Fr. Prof. B.A.C Obiefuna, Charles Ikenna Okeke
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306-313
CHAPTER THIRTY SEVEN: RELIGIOUS DIFFERENCES AND INTERMARRIAGE IN RUTH: LESSONS FOR NIGERIAN CHRISTIANS
Ikenna L. Umeanolue (PhD)
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314-323
CHAPTER THIRTY EIGHT: MUSIC AND SPIRITUAL UPLIFTMENT: THE EXPERIENCE OF ANGLICAN DIOCESE OF ASABA, DELTA STATE
Peter O. Onyemaechi Okojih
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324-330
CHAPTER THIRTY-NINE : THE UMUOKPU SONGS: A CASE STUDY OF UMUZOCHA WOMEN'S PERFORMANCE GROUP IN AWKA SOUTH
Adaobi B. Okoye
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331-346
CHAPTER FORTY: HISTORICAL ACCOUNT OF EGELEGE (WRESTLING) MUSIC FESTIVAL OF ALAKAHIA COMMUNITY IN OBIO/AKPOR LOCAL GOVERNMENT AREA, RIVERS STATE
Augustina C. Ezebube
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347-351
CHAPTER FORTY-ONE: INDIGENOUS MUSIC AND SUSTAINABLE HUMAN DEVELOPMENT IN IGBO CULTURE
Hope Nkechi Okpala
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352-359
CHAPTER FORTY-TWO PRESERVING AFRICAN VALUES THROUGH MUSIC: ILLUSTRATIONS WITH FOLKLORE EXCERPTS
Nnamdi C. Onuora-Oguno (PhD)
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360-363
CHAPTER FORTY-THREE: TRADITIONAL SACRED MUSIC AND GENDER ISSUES: NMONWU MUSIC OF IHIALA AND EZINIFITE CULTURES IN ANAMBRA STATE
Matthew Ikenna Okos
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364-371
CHAPTER FORTY-FOUR PIANO AND THE AFRICAN SOUL: TOWARDS BRIDGING THE GAPS OF IDENTITY CRISIS
Gerald Eze
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372-385
CHAPTER FORTY-FIVE: SOCIO-CULTURAL RELEVANCE OF UMUARO YOUTHS MUSIC IN COMMUNITY SERVICES IN MBUTU, MBAISE
Kenneth Anosike Opara, Eunice U. Ibekwe (PhD)
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386-395
CHAPTER FORTY-SIX: EMEM KE NIGERIA: A DIDACTIC IBIBIO CHORAL MUSIC COMPOSITION
Precious Kufre Udoh, Okwudiri Nwamara Alvan-ikoku (PhD)
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396-402
CHAPTER FORTY-SEVEN: MUSIC AND TOURISM IN MODERN-DAY
Vivienne Okey-Ngene
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403-411
CHAPTER FORTY-EIGHT: PROGRESSIVE TRADITIONALISM: ORIN IBÃŒEJI ÃŒTRADITION OF THE SOUTH-WEST NIGERIAN THE CONTEMPORARY TIMES
Omolabake Adejoke Dada, Timothy Kayode Ajiboye
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412-418
CHAPTER FORTY-NINE: APPRAISING POPULAR MUSIC BUSINESS IN NIGERIA AND JOB CREATION: A STUDY OF SELECTED YOUTHS IN AGO- IWOYE, OGUN STATE
Sunday Olufemi Akande
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419-428
CHAPTER FIFTY: MUSIC ENTREPRENEURSHIP IN TWENTY-FIRST CENTURY NIGERIA: PERTINENT ISSUES
Ikedimma Nwabufo Okeke (PhD)
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429-443
CHAPTER FIFTY-ONE: IMPROVING THE PERFORMANCE TECHNIQUES OF ESE MUSIC THROUGH OMENKA ADIBE'S RECORDINGS: A SURVEY
Chima Albert Abiakwu
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444-450
CHAPTER FIFTY-TWO: NIGERIAN CONTEMPORARY POP MUSIC IN CULTURAL AND CREATIVE ARTS CURRICULUM: IMPLICATIONS, CHALLENGES AND PROSPECTS
Ebele V. Ojukwu (PhD), Echezona Adaora Unoma
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451-457
CHAPTER FIFTY-THREE CONTEMPORARY TRADITIONAL MUSIC OF NEW DAWN ENTERTAINERS AND ITS ROLES IN COMMUNITY BUILDING IN UYO, AKWA IBOM STATE
Eunice U. Ibekwe (PhD), Johnson J. Akpakpan, Mary J. Akpakpan
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458-468
CHAPTER FIFTY-FOUR EVALUATION OF VIRTUAL LESSONS DURING COVID-19 PANDEMIC LOCKDOWN: THE CREATIVE ARTS STUDENTS' EXPERIENCE
Florence Ewomazino Nweke (PhD)
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469-485
CHAPTER FIFTY-FIVE: ANALYSIS OF SELECTED WORKS OF DOTUN OLAYEMI: A CONTEMPORARY YORUBA CHURCH MUSICIAN
Sunday A. Ajayi
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486-496
CHAPTER FIFTY-SIX : THE CONSTRUCTION OF LOCALLY MADE REHEARSAL DRUMS PAD
Rotimi Peters Ologundudu, Olaoluwa Marvelous Ayokunmi, Oluwole David Fadipe, Adenike Latifat Gbadamosi
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497-506
CHAPTER FIFTY-SEVEN: ETHNOMUSICOLOGY AND CREATIVITY: THE NEED FOR DOCUMENTATION OF PRODUCTIONS
Samuel Jackson Udo, Eunice U. Ibekwe
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507-513
CHAPTER FIFTY-EIGHT: MUSIC AS A UNIQUE TOOL FOR EFFECTIVE COMMUNICATION IN EMEKA NWABUEZE'S ECHOES OF MADNESS
Helen Udumaga Aghamelu
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514-519
CHAPTER FIFTY-NINE: THE ANGUISH OF EXISTENCE IN POETRY: THE EXAMPLE OF CHRISTOPHER OKIGBO'S POETIC CONTENT
Ngozi Dora Ulogu, Christiana Obiageli Udogu
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520-527